Perraton Apartment


25th Anniversary of this Project

The design for this city apartment (completed in 1992) set out to explore an intensive, practical use of space through sculptural, formal exploration.  The aim was to not only make a 40 square metre apartment more practical and functional, but to also make it ‘appear’ larger.

Perraton Apartment 11_view from bedroom_after_Stephen Varady Photo ©The design applies theoretical explorations of sculptural form-making without compromising the practical requirements.

Perraton Apartment 08_entry hall_after_Stephen Varady Photo ©The functional and physical constraints were used as the basis for invention – for questioning preconceived solutions to conventional functions.

Perraton Apartment 02_model_Stephen Varady Photo ©


Perraton Apartment_floor plan_Stephen Varady ©The design approach treats the interior as a series of intersecting, white rectangular prisms – initially suggested by the strong rectilinear form of the existing envelope.  Inspired by the ‘arkhitektons’ of Kazimir Malevich, these intersections explore the sculptural possibilities of such forms when they are tied to specific functional constraints.  These static Malevich-like sculptures are then imbued with ‘kinetic’ life, with obvious references to the Rietveld Schroeder House.

Perraton Apartment 01_Arkhitekton 'Alpha', 1920 by Kazimir Malevich
Arkhitekton ‘Alpha’, 1920 by Kazimir Malevich

Perraton Apartment 23_kitchen detail_sculptural storage_Stephen Varady Photo ©The intent here was to hide what was not necessary, only bringing it to life when needed.  For example, the kitchen does not look like a kitchen, but a sculptural wall of storage, stepping back and forth to accommodate appliances, crockery and plumbing, with certain parts folding down, sliding out or opening to reveal the various functions related to the preparation of food.

The cantilevered dining table folds away to become part of the overall composition, allowing clear floor space when it is not in use.

The television has been encased in a sculptural cabinet and suspended from a box on the ceiling which completely conceals the power and antenna cables and a sliding track, allowing it to glide along the ceiling.  It can therefore be viewed from any point in the apartment, or folded up like a piece of furniture or sculpture in the corner.

A number of strategically placed mirrors also allow the apartment to appear more than what it is.  The major mirror beside the main northern window not only deceptively extends the perception of space, but it brings a previously limited view of Sydney Harbour right inside the apartment.

The kinetic potential of spaces intersecting, of intersecting elements opening and closing, or appearing and disappearing, is consciously explored.  Thus, the design is never fixed – never static, allowing the apartment to vary in size, proportion and mood depending on the required or desired function.




Perraton Apartment_sections 1_Stephen Varady ©Perraton Apartment_floor plan_Stephen Varady ©Perraton Apartment_sections 2_Stephen Varady ©


Perraton Apartment_construction_kitchen1_Stephen Varady ©

Perraton Apartment_construction_kitchen2_Stephen Varady ©

Perraton Apartment_construction_section_Stephen Varady ©

Perraton Apartment_construction_tv unit1_Stephen Varady ©

Perraton Apartment_construction_tv unit2_Stephen Varady ©

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